Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the acf domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /app/180-crs.digiproduct.co.il/home/app/public/wp-includes/functions.php on line 6121 RONIN 2 - CRS

RONIN 2

The versatile Ronin 2 gimbal from DJI is suitable for use either handheld or mounted in a variety of ways including onto a drone, Steadicam, vehicle mount, cranes and more. An update from the original Ronin, this motorized stabilization system is suitable for a range of camera and lens configurations, boasting a payload capacity of 30 pounds. This means it can be used for everything from DSLRs up to cinema cameras such as the ARRI ALEXA Mini or Sony FS7. Тhe Ronin 2 features support for underslung, upright, and briefcase operation modes to help you achieve the best angle. it has been redesigned to enable easy transition between upright and underslung modes without changing the position of the camera.
Download description (.pdf)
Back to All Products

Contacts

Get in Touch

CRS Cine Remote Systems

Ha-Melacha ST 8 unit 228

Rosh-Ha-Ayn

Israel 4809118

Office Tel: 972-3-5373897

WhatsApp/Mobile Tel: 972-55-9586448

Office: office@crs.co.il

Owner/C.E.O: Roy Arama roy@crs.co.il

C.O.O: Dror “Jimmy” Binyamini dror@crs.co.il

Accessibility disclaimer
policy - תקנון
Contact Us

    Get in Touch

    **The manufacturers recommend the following safety procedures: in order to reduce the possibility of an accident, every camera crane with an arm range above 30 feet (9 meters) should be operated by at least two trained technicians (grips).

    Because of its extreme versatility, the technocrane is often the only camera movement tool needed to acquire all of the shots on any given location, even for extremely simple camera movements and static shots. One of the biggest misconceptions about technocranes is that they're almost always an additional and unnecessary expense for a production, and that they're really just a fun toy for productions with large budgets. However, despite the up-front cost of technocrane rental and the cost of labor to operate the machine correctly, once it's all set up and ready to shoot, it's usually far quicker and more efficient than any other method of moving the camera around. Add to that the fact that the technocrane allows for everything between tiny adjustments to the frame to full-on improvisation, and it's no wonder why it's such a ubiquitous tool in filmmaking. Ultimately, the technocrane is an incredibly versatile tool that you're very likely going to encounter if you spend time on professional sets. For that reason, it's important for up and coming filmmakers to understand the basic terminology, capabilities, and limitations of the technocrane even if it's not something that you will use on a regular basis in your own work.