MOTOCRANE ULTRA

Featuring a new 3.65m arm, 25kg payload rating, and powerful motors, ULTRA is the longest of any universal remote arm. Weighing just 86 kg unloaded, it is the only 12’ arm capable of flying as checked baggage. ULTRA is built for off-road performance in the heat and rain. Constructed of 6061-T6 aluminum alloy, ULTRA has the highest strength-to-weight ratio of any compact arm. The 3-axis Isolator keeps stabilized heads undisturbed during aggressive use on the track. ULTRA mounts to cars, trucks, UTV’s, boats and custom rigs with a special kit which creates a temporary speed rail grid anywhere you need it. If you can dream it, ULTRA can probably do it. The new MotoCrane Controller features Dual-stick operation for independent control of the PAN and TILT axes. It’s centered around a 7” touchscreen display for real-time position feedback, speed, limits, and system diagnostics. Operating on a CAN-BUS protocol, it is the most fully-featured of any remote arm control interface – without any Bluetooth or WiFi dropouts. we have upgradd the ultra base for the powerful XP base giving us more speed,less noise and more accurate response.
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CRS Cine Remote Systems

Ha-Melacha ST 8 unit 228

Rosh-Ha-Ayn

Israel 4809118

Office Tel: 972-3-5373897

WhatsApp/Mobile Tel: 972-55-9586448

Office: office@crs.co.il

Owner/C.E.O: Roy Arama roy@crs.co.il

C.O.O: Dror “Jimmy” Binyamini dror@crs.co.il

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    **The manufacturers recommend the following safety procedures: in order to reduce the possibility of an accident, every camera crane with an arm range above 30 feet (9 meters) should be operated by at least two trained technicians (grips).

    Because of its extreme versatility, the technocrane is often the only camera movement tool needed to acquire all of the shots on any given location, even for extremely simple camera movements and static shots. One of the biggest misconceptions about technocranes is that they're almost always an additional and unnecessary expense for a production, and that they're really just a fun toy for productions with large budgets. However, despite the up-front cost of technocrane rental and the cost of labor to operate the machine correctly, once it's all set up and ready to shoot, it's usually far quicker and more efficient than any other method of moving the camera around. Add to that the fact that the technocrane allows for everything between tiny adjustments to the frame to full-on improvisation, and it's no wonder why it's such a ubiquitous tool in filmmaking. Ultimately, the technocrane is an incredibly versatile tool that you're very likely going to encounter if you spend time on professional sets. For that reason, it's important for up and coming filmmakers to understand the basic terminology, capabilities, and limitations of the technocrane even if it's not something that you will use on a regular basis in your own work.

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